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Magazine new world for authors. History of the magazine "new world"

This term has other meanings, see New Path. “New Way” is a Russian religious and philosophical journalistic magazine created in 1902 and existed until the end of 1904. A magazine originally intended for... ... Wikipedia

New World: Contents 1 Printed publications 1.1 Magazines 1.2 Newspapers ... Wikipedia

New world: Contents 1 Russia 2 Ukraine 2.1 Crimea ... Wikipedia

"New World"- NEW WORLD lit. artist and societies. watered magazine, until 1991 organ of the USSR SP. Published in Moscow since 1925. Among the editors. N. M. A. Lunacharsky, Y. Steklov (Nakhamkis), I. Skvortsov Stepanov (1925), V. Polonsky (Gusev) (1926 31), I. Pronsky (1932 37), V. ... ... Russian humanitarian encyclopedic dictionary

This term has other meanings, see New World (meanings). "New World". 1988, No. 7. ISSN ... Wikipedia

- “NEW WORLD” monthly literary, artistic and socio-political magazine, ed. "Izvestia of the Central Executive Committee of the USSR and the All-Russian Central Executive Committee." Since 1925 it has been published under the editorship of A.V. Lunacharsky and I.I. Stepanov Skvortsov, and since 1926 by them and V.P. Polonsky, who was ... Literary encyclopedia

- “New World”. 1988. No. 7. 0130 7673. Traditional magazine cover. In this issue, for example, poems by Vladimir Tsybin, Konstantin Vanshenkin, Nona Slepakova, Leonard Lavlinsky, Yu. Daniel, a story by Tatyana Tolstaya, ending ... ... Wikipedia were published

Specialization: contemporary art Frequency: 6 times a year Abbreviated name: NoMI Language: Russian Editor-in-Chief: Vera Borisovna Bibinova ... Wikipedia

- (“New World”) monthly literary, artistic and socio-political magazine, organ of the Union of Writers of the USSR. Published in Moscow since January 1925. The first editors were A. V. Lunacharsky, Yu. M. Steklov, I. I. Skvortsov Stepanov; With… … Great Soviet Encyclopedia

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Magazine "PC World" No. 07-08/2016, PC World. In the issue: Topic of the issue: Network solutions How to install Internet at your dacha: Personal experience combating digital isolation What to do if you escaped from stuffy Moscow to the dacha or even decided...

January 18 is considered the birthday of the New World magazine. This year the publication turned 85 years old.

The New World magazine is one of the oldest in modern Russia monthly literary, artistic and socio-political magazines.

The idea of creating the magazine belonged to the then editor-in-chief of Izvestia, Yuri Steklov, who proposed creating a monthly literary, artistic and socio-political magazine on the basis of the Izvestia publishing house, which was carried out. The magazine began publication in 1925.

For the first year, the monthly was led by People's Commissar of Education Anatoly Lunacharsky, who remained a member of the editorial board until 1931, and Yuri Steklov.

In 1926, the management of the magazine was entrusted to the critic Vyacheslav Polonsky, who turned the new publication into the central literary magazine of that time. Polonsky led the magazine until 1931, and already in the early 1930s, “New World” was recognized by the public as the main, main magazine of the then Russian Soviet literature.

After the war, the famous writer Konstantin Simonov, who headed the magazine from 1946 to 1950, became the editor-in-chief; in 1950 he was replaced by Alexander Tvardovsky. This first tenure of Tvardovsky as editor-in-chief was short-lived. In 1954, he was removed from leadership, but in 1958 he again became editor-in-chief and a period inextricably linked with his name began in the history of the magazine. Thanks to Tvardovsky, a short story “One Day in the Life of Ivan Denisovich” by the Ryazan teacher Alexander Solzhenitsyn was able to appear on the pages of the magazine, which became a milestone not only in the literary but also in the political life of the country. In 1970, Tvardovsky was removed from his post as editor-in-chief, and soon died.

After Tvardovsky’s death, until 1986, “New World” was headed first by Viktor Kosolapov, then by Sergei Narovchatov and Vladimir Karpov.
In 1986, the magazine was first headed by a non-partisan writer and prose writer Sergei Zalygin, under whom the magazine's circulation rose to a record height of two million seven hundred thousand copies. The success of the magazine was associated with the publication of many books previously banned in the USSR, such as “Doctor Zhivago” by Boris Pasternak, “The Pit” by Andrei Platonov, but especially the works of Alexander Solzhenitsyn “The Gulag Archipelago”, “In the First Circle”, “Cancer Ward”.

The most high-profile publications of the magazine in its entire history were: “The Black Man” by Sergei Yesenin (1925); “Not by Bread Alone” by Vladimir Dudintsev (1956); “One Day in the Life of Ivan Denisovich” by Alexander Solzhenitsyn (1962); “The Scaffold” by Chingiz Aitmatov (1986); “Advances and Debts” by Nikolai Shmelev (1987); “The Pit” by Andrei Platonov (1987); "Doctor Zhivago" by Boris Pasternak (1988); “The Gulag Archipelago” by Alexander Solzhenitsyn (1989); “Sonechka” by Lyudmila Ulitskaya (1993); “Prisoner of the Caucasus” by Vladimir Makanin (1995); “Freedom” by Mikhail Butov (1999) and many others.

In 1947-1990, the magazine was the organ of the Union of Writers of the USSR. But since 1991, thanks to new legislation on funds mass media, the New World magazine has become a truly independent publication, not directly associated with any of the creative unions or public organizations.

With the development of perestroika, the editorial charter changed, and at some point Zalygin was already voluntarily elected by the editorial board as editor-in-chief. But in 1998, the five-year term for which he was elected expired and Sergei Pavlovich refused to run.
In 1998, literary critic Andrei Vasilevsky was elected editor-in-chief of the magazine.

Today, like all thick magazines, Novy Mir is forced to survive in a market situation. The impossibility of existing without sponsorship, the inability of most potential readers to purchase a relatively expensive magazine, the inevitable decline in public interest - all this forced a change in editorial policy.

If earlier the basis of the magazine was made up of novels published in continuation from issue to issue, today the magazine has reoriented itself to “small” forms - a short story, a cycle of stories.

The current circulation of the magazine hovers around the figure of only 7 thousand.

The New World is currently published at 256 pages. In addition to new prose and poetry, the magazine offers traditional sections “From Heritage”, “Philosophy. Story. Politics”, “Far Close”, “Times and Manners”, “A Writer’s Diary”, “World of Art”, “Conversations”, “Literary Criticism” (with the subheadings “Struggle for Style” and “In the Course of the Text”), “Reviews . Reviews”, “Bibliography”, “Foreign book about Russia”, etc.

The editor-in-chief is Andrey Vasilevsky. Executive secretary: prose writer Mikhail Butov. Ruslan Kireev heads the prose department. The poetry department is headed by Oleg Chukhontsev, the criticism department by Irina Rodnyanskaya, and the historical and archival department by Alexander Nosov. Freelance members of the editorial board (and now the Public Council) are Sergei Averintsev, Viktor Astafiev, Andrey Bitov, Sergei Bocharov, Daniil Granin, Boris Ekimov, Fazil Iskander, Alexander Kushner, Dmitry Likhachev and other respected writers.

The material was prepared by the editorial staff of rian.ru based on information from RIA Novosti and open sources

Since 1925, “New World” has been published monthly, the last fifty years of which have been in a permanent blue cover with blue letters; these letters are familiar to anyone who had shelves at home in the late 1980s filled with literary magazines (then with circulations exceeding a million copies). Over the years, Solzhenitsyn was published here (his first work, “One Day in the Life of Ivan Denisovich”), Ehrenburg, Brodsky, Astafiev, Nekrasov were published here - in general, the iconostasis of a democratically minded Soviet citizen.

Since the time of the main glory of the “New World”, 1964, the editorial office has been located on the outskirts of the Pushkinsky cinema, in a pre-revolutionary building that belonged to the Strastnoy Monastery (in fact, this is the last building remaining from it).

Artem Lipatov

Music critic, regular reader of Novy Mir

“New World” is a magazine from childhood: torn blue spines, from which dad folded them into books (many novels were published with a sequel), and they then climbed onto the mezzanine. “New World” contains several amazing discoveries and, first of all, the fact that one and the same magazine can be completely different: for example, the issues for, say, 1969 and 1972 were radically different from each other (in 1970 there was the legendary Tvardovsky editorial office was dispersed. - Ed.).

I have a hard time understanding how the editors survive today, but watching my fellow music fan Misha Butov put together a thick issue once a month, maintaining a certain - and quite high - level of texts in it, I can’t help but feel respect and envy for him and his colleagues. I still make discoveries for myself on these pages - such as the rock and roll poetry of Vadim Muratkhanov or the poems of the great art critic Dmitry Sarabyanov, and if only for this reason, the strict logo of the “New World” remains for me a sign of quality.”

In the corridor hangs a gallery of the publication's editors-in-chief. There were eleven people in total - from Vyacheslav Polonsky, who launched the magazine, to the current Andrei Vasilevsky.

Photos of the two chief editors of the magazine: Alexander Tvardovsky - the author of the poem about Vasily Terkin led the magazine in 1950-1954, 1958-1970, when he was the herald of the sixties, and Sergei Zalygin - he led it in 1986-1998, when Novy Mir was the herald perestroika and its circulation reached two million. Under their leadership, the magazine was a huge success in the country.

The department in which the editor of the electronic version of the magazine, Sergei Kostyrko, works. In general, the editorial office practically does not use the Internet. Authors send their manuscripts to Novy Mir by mail - this is how they try to distinguish themselves from graphomaniacs.

Office of the editor-in-chief. Most of the photographs hanging on the walls were taken by Andrey Vasilevsky - they depict apples, bicycle wheels and architectural elements. Behind the editor-in-chief's right shoulder is Anton Chekhov.

Andrey Vasilevsky

Literary critic, poet, editor-in-chief of Novy Mir since 1998

“The highest circulation was in 1990. And it was this year that three issues of the magazine were not published. At the peak of popularity! Due to the very high circulation - 2 million 700 thousand copies - there was simply not enough paper. There was a planned economy - we were allocated so much paper, and we used it up. But it was impossible to buy it, it was not for sale.

If we talk about the portrait of the reader, then I have two pictures. The first is an elderly man reading a paper version of a magazine somewhere in the provinces. And the second is a thirty-year-old man sitting in front of a monitor and reading an electronic version.

In 5 years the magazine will definitely exist, but with a smaller circulation. Mostly he will go online. And if there is a generous fund or sponsor, it will be distributed free of charge. And if electronic payments enter our lives, then it will sell. I don’t dare to make plans for 10 years.”

Driver Leonid Dmitrievich Korenev, reading Sport Express. The editorial office has a regular Volga car, which is used for business needs - delivering layouts, delivering part of the circulation - and other errands. The number recorded on the disc is sent to the Krasnaya Zvezda printing house. To be on the safe side, a paper printout of the magazine also goes with the disk.

Mikhail Butov, first deputy editor-in-chief and executive secretary. Prose writer, laureate of the Russian Booker in 1999 for the novel “Freedom”. In the photo behind him is him.

Mikhail Butov

Prose writer, deputy editor-in-chief of Novy Mir since 1994

“All the notable stories in the magazine, of course, are about graphomaniacs. Somehow a lady comes. And begins a long preamble for his essay. She says that she wrote the book for a long time, this is a generalization of experience, life with one person who was her husband. He is a complex person: he has many dark sides. I listened to all this for a long time, I said, okay, leave the manuscript. The woman leaves. I open a folder with text. On the first page it says: “Bloodsucker Ghoul.”

Previously, the editorial office was located on the first floor of the building. I was told that in ancient times there was a case. The writer, having received a refusal, walked, smeared himself with blood and in this image appeared in front of the window. He opened his shirt, covered in blood, he was covered in blood - he did everything so that they would pay attention to him.

The word “graphomaniac” is not exactly a dirty word. A charming man named Zhivotov visited us for many years. All his life he wrote about Pushkin. A man of difficult fate, he was even in a psychiatric hospital. But we loved him. He was not a comic character. A kind of quixote, a rather naive man, once a school teacher, his imagination was slightly inflamed by Pushkin. He talked about how the poet passed through the village in which Zhivotov lived. This is what he wrote about all his life. We remember him with great warmth.

Monthly literary and artistic magazine.

The magazine "New World" has been published in Moscow since 1925. Of course, today the “New World” is already different. Russia is changing, they are changing (at least for the sad reason natural decline) authors, collaborators and readers. Currently this monthly magazine fiction and social thought comes out on 256 pages. In addition to new prose and poetry, the magazine offers traditional sections “From Heritage”, “Philosophy. History. Politics”, “Far Close”, “Times and Manners”, “Diary of a Writer”, “World of Art”, “Conversations”, “Literary criticism" (with the subheadings "Struggle for style" and "In the course of the text"), "Reviews. Reviews", "Bibliography", "Foreign book about Russia", etc.

The period of republication of previously banned works has already ended, the emphasis has shifted to modern literature. The magazine considers it necessary to give readers as adequate and varied a picture as possible of what is actually happening in Russian literature. Not everything that happens in it pleases the employees of the New World. And, apparently, not everything that is published on its pages always corresponds to the personal preferences and aesthetic ideals of all those who make the magazine. However, this tolerance is not unlimited. New World, while striving for diversity, does not consider it necessary to provide its pages for all points of view and literary experimentation without exception.

Cultural and democratic, the magazine calmly follows its, not today, chosen direction, avoiding extremism of any kind and combining artistic novelty with intellectual thoroughness and even a kind of “academicism.” To this we can add two more concepts - conservatism and historicism. Preserving the memory of the past is reflected in the external appearance of the magazine, which has changed little over the decades, in the stable selection and arrangement of magazine sections (although here, too, natural changes occur, prompted by life itself, and not contrived). An appeal to prehistory, to the roots of every topical social phenomenon and literary fact is, distinctive feature published and gives it depth. The magazine widely presents expertly prepared archival publications and unexpected historical research. Much space, especially in connection with the upcoming 200th anniversary of Pushkin, is devoted to new research on the work and personality of the great poet. The editors of Novy Mir are not at all trying to keep up with the fast-moving day with its momentary sensations, immediately doomed to oblivion. The magazine prefers to focus more on general issues than on specific ones. Novy Mir, which values its independence, does not participate in the fierce “struggle of people,” although at the same time, like any thick Russian literary magazine, it cannot avoid participating in the “struggle of ideas.” Facts pass, but problems remain.

This stability, one might even say respectability, distinguishes Novy Mir for the better from the superficial mass journalism that overwhelms many periodicals. So the positive image of the magazine that has developed among readers, both in Russia and abroad, is unlikely to undergo serious changes in the future.

This term has other meanings, see New World ... Wikipedia

New World: Contents 1 Printed publications 1.1 Magazines 1.2 Newspapers ... Wikipedia

New world: Contents 1 Russia 2 Ukraine 2.1 Crimea ... Wikipedia

This term has other meanings, see New World (meanings). "New World". 1988, No. 7. ISSN ... Wikipedia

Specialization: contemporary art Frequency: 6 times a year Abbreviated name: NoMI Language: Russian Editor-in-Chief: Vera Borisovna Bibinova ... Wikipedia

Books

Magazine "PC World" No. 12/2015, PC World. In the issue: Theme of the issue: The holiday is coming to us... A gift for yourself A gift should be a gift, it should be bright, memorable - so that you want to show it to friends or on social networks.... e-book
Magazine "PC World" No. 07-08/2016, PC World. In the issue: Topic of the issue: Network solutions How to bring Internet to your dacha: Personal experience in dealing with digital isolation What to do if you escaped from stuffy Moscow to your dacha or even decided...